33 پاسخ به “اوراق قرضه گری (ایالات متحده) – New Orleans – Vinyl LP”

1. Great rola

2. Reprise en français par Johnny Hallyday " A New Orléans"…

3. Reprise en français sous le même titre par Johnny Hallyday.

4. He is a handsome dog like Hamilton Bohannon: lots of fun…

5. ty taking me very long to find origenel

6. Magic.   I've loved this song since 1957 when my Mother – an opera singer – 'wouldn't let me listen'.
   Sorry, Mum…

7. As terrible as his recordings sound, I just love them!

8. I just got the CD, and I think it is essential, to get the drum sound of this group. The drums sound muffled, but whoever engineered this was a GENIUS! Muffled as they may be, the bass and snare just pound through!!!! Gary "US" Bonds and the Church Street Five, with Gene "Daddy" Barge on sax….it don't party better people. Loved this music for 50 years…it never gets old.

9. I moved to Louisville a while ago and it was the first time I heard this song. It is the only good thing THAT I LEFT WITH! …The Ville is poor; yeah, they will keep you poor, bad, bad, bad.

10. WAB, I always appreciate how you spin the correct version.

11. This is what was called the "Norfolk Sound", that eventually was somewhat revived by Bruce Springsteen.

12. Your right Martin did a fantastic job keeping the Beatles past masters true to their original sound. On some of those collectable cd re issues I've found it was too often about quantity and not quality.

13. Couldn't agree more. When you see anything produced before 1980, always look for AAD – meaning Analog recording, Analog master, Digital press. I'm not even a fan of the Beatles remixes. Weird parts pop out, the EQ is different. The original mix is usually the way we all remember it.

14. Blues Brothers 2000

15. The lacquer mastering of this copy points to a circa 1963 job from RCA Victor's New York studios – and the pressing looks like a styrene from Shelley Products of Huntington Station, NY. (From late 1959 to late 1964, RCA mastered mono LP's – whether theirs or their custom clients' – with the same 2 lpi lead-out grooves seen on their 45's.)

16. No, I'm not a producer, just a record collector and oldies music fan!

17. Are u a producer??

18. check out the other posting (music clips video)

19. how did they get that outdoor concert sound? sounds like they recorded this in the street! awsomee

20. What happened to the ending !!!

21. It's been stuck in my head for 52 years ! Favorite Sax solo ! 4ever !

22. Who wrote the lyrics? Nice imagery to go with the "hot" vibes.

23. awesome…

24. I'd forgotten about this classic .. . . until last night when it was played at a restaurant over their loudspeaker. How could I ever forget this record?? Sometimes I think it was even better than 'Quarter To Three.' Gary U.S. Bonds was really a rock 'n' roll pioneer of sorts: His record of "Quarter To Three" started having couples dancing apart. (Yes, yes, I know the Twist came earlier but that was a fluke.) After "Q-2-3", it really caught on and rarely did dancing couples touch after that.

25. Don't worry, both dislikes are from mentally ill people.

26. If this doesn't get your blood pumping, nothing will.

27. Unfortunately, re-master can also mean re-mixed, which changes the entire sound of the record. Some producers think they are "improving" the record by doing this, but unfortunately in most cases, it is for the worse. The one exception are the Beatles remasters, where George Martin really made an effort not to change the basic sound of the original!

28. I remember seeing him perform this on the Dick Clark Show….!!!

29. I MISS VINYL

30. Good quality recording…I happen to have this on an album of old rock and roll songs…a classic.

31. always loved this guy's sound.

32. This song is the shit—-I first heard it at age 12 and loved the hell out of it—it's just a damn fun song. I read that the song is just Gary Bonds vocal's double and triple tracked—and it does sound like it was recorded live in a bar or something! A geniune bad-ass old-school party classic

33. what i liked about all US Bond's songs were that they sounded like they were recorded live in front of a rockin audience

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